THE ROAD TO VENICE (2014)

Road to_dok_stol og screen_DSCN7522
ANX/Atelier Nord, Oslo
22.03.2014
Wilhelm/Blattmann/Thorbjørnsen

Audio/Visual Performance/Silent film concert to Clemens Wilhelms film The Road to Venice (00:39:00)
The performance was a collaboration with musician Jørgen Thorbjørnsen.

An 11 minute excerpt from the performance.

Text from Clemens Wilhlems homepage
The German filmmaker Werner Herzog once said in an interview that if one wanted to become an artist, one should not spend years in art school but take a long walk alone with a camera. As his graduation project, Clemens Wilhelm undertook this long walk. In July 2009, he started out on foot to walk from Munich to the Venice Biennial. The path of more than 600 km took him across the alps in one month, from the Southern German lowlands across the high mountain ranges of the Alps and down to the Adriatic sea. Along the way he took a photograph of the road ahead every 15 minutes. These pictures blend into a slideshow video.

Walking South to Italy has a long tradition in European art history. Many north-European artists since Renaissance times have traveled to Italy to study the arts, and due to limited resources they often walked. Taking a long walk at the end of your apprenticeship also has a long tradition among other European craftsmen. The Venice Biennial is arguably the most famous contemporary art exhibition in the world and it is considered a great honour for any artist to be showing there. But this road to Venice is long, unsafe and rocky. However, the challenge of taking on the real road to Venice shows striking parallels to an artist career. When just starting out as an artist, you may ask yourself: “Will I make it to Venice in the end?” But a whole mountain range separates you from that goal.

But Clemens Wilhelm’s video is more than this: the process of walking, the everchanging road itself and spending time with yourself seem equally important as the goal Venice. The Biennial as a goal becomes secondary, as the viewer starts to walk with him, picture by picture. The viewer starts to travel in his/her mind on his/her own imaginary path through strinkingly beautiful mountain ranges, green fields and sundrenched forests.
– Maria Cristina Calaflores, Art Historian, Berlin.